Meters Panel Standard, Ultra
Real-time level, loudness, and spectrum metering for the file you’re auditioning — Peak / RMS, VU, LUFS, FFT, plus a Loudness Radar trace.
Sections
The Meters Panel stacks several visualizations vertically. Each section can be turned on or off independently from its own context menu — the panel resizes around whatever you’ve enabled.
FFT
Real-time spectrum view across the audible range, with peak-hold caps that decay slowly so you can read the dominant bands at a glance.
Peak / RMS
Standard digital level meters. Per-channel Peak (red) over RMS (green) bars with hold ticks.
VU
Classic analog-style VU dials, useful when you want a slower-responding visual reference instead of digital peaks.
Off by default for new users. The VU section now starts hidden — turn it on from the section’s context menu if you want it back. Existing users keep whatever they had saved.
LUFS bar
Horizontal loudness bar showing the running LUFS value. Integration window is set by the M / S / I switch in the footer (see below).
Loudness Radar
Circular trace that draws loudness over time — useful for spotting macro-level dynamics at a glance. Display range is −70 to −20 LUFS, with grid rings and a centered crosshair. The numeric LUFS readout sits in the top-left corner so it doesn’t occlude the trace.
LUFS smoothing modes
A 3-way M / S / I radio sits in the panel footer (under the LUFS bar and Radar). The selected mode drives the integration window for both the LUFS bar and the Radar trace.
- M — Momentary
- ~400 ms window. Fast, follows transients.
- S — Short-term Default
- ~3 s window. Standard short-term LUFS feel.
- I — Integrated
- ~10 s window. Slow program-loudness average.
Smoothing is applied in the linear power domain (matching the BS.1770 short-term feel), not as a simple dB average. The footer auto-hides if you have both the LUFS bar and Radar turned off. Mode persists per user.
FFT, LUFS bar, and Radar are pre-master-fader. They tap the audio before the master volume control, matching Peak / RMS / VU. Lowering the master fader will not drop the FFT, LUFS, or Radar readings — what you see is the file’s actual content, independent of monitor level.


